«L’Entrée de la grève» : a poster mural of dissent / une murale d’affiches contestataires

Auberge de la grève

L’Auberge de la grève in Rivière Trois-Pistoles, Québec. March 2016.

[Rivière Trois-Pistoles, Québec] In March 2016. I spent 26 days as artivist in residence at l’Auberge de la grève in Rivière Trois-Pistoles, Quèbec. The main creative project at the Auberge is the installment of a poster mural on three walls inside the main entrance of the collective residence. A total of about 150 posters were permanently wheat-pasted onto the walls.

Jean Desjardins and I sift through the CRIP's archive to determine which posters have three or more copies so that I can take the extra copies from the collection to use within the mural.

Jean Desjardins and I sift through the CRIP’s archive to determine which posters have three or more copies so that I can take the extra copies from the collection to use within the mural.

The posters were selected from my own personal collection and from the Centre de recherche en imagerie populaire (CRIP), an archive of posters of social movements from Québec with over 20,000 posters in its collection,

The second project I worked on during the residency is the creation of various elements needed for a banner-making performance, Textilográfica por La Brigada MTL in La Comuna de Pedro Aguirre Cerda, a working-class neighbourhood of Santiago de Chile known for its opposition to injustices.

The 1:5.5 scale illustration of the entrance of the Auberge de la grève.

The 1:5.5 scale illustration of the entrance of the Auberge de la grève.

The mural’s creative process begins with a detailed measurement of the entrance to produce a 1:5.5 scale map of the walls’ surfaces. On the right side of the entrance is the main wall. At the end is a doorway that leads to the bar, and to its left is the wall and closet door beneath the staircase. The entire wall surface gets wheat-pasted from the crown mouldings at the ceiling to the baseboards below and around the detailing of the door frames.

Posters are placed on the floor to determine the design and placement of the mural.

Posters are placed on the floor to determine the design and placement of the mural.

The second step is to tape onto the floor of the Auberge’s dance studio a to-scale outline of the wall surfaces, within which posters are placed until filled to satisfaction. Throughout the two-day process, residents of the Auberge are encouraged to comment and to make suggestions for placement and/or selection revisions. A borrowed camera hangs from the ceiling to produce a time-lapse video of the mural’s conception (see below) and to produce a photo of the final placement of the posters to use as a reference for the wheat-pasting.

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The finished mural “L’Entrée de la grève” brings colour and oppositional cultural heritage to the entrance of the Auberge de la grève in Rivière Trois-Pistoles. Photo: Rémi Leroux. March 2016.

The walls are sanded then washed before preparing the wheat-paste mixture: 4 parts water/1 part white flower/half part sugar (boil 3 parts water; mix flower to 1 part cold water; add flower mixture to boiling water; add sugar; stir for a 10 minutes; let cool; ready to use). 150 posters were glued to the entrance walls with the entire process taking two full days. After two days of drying, four layers of varnish was applied to the entire surface, leaving a smooth satin finish that is washable.

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ARTIST STATEMENT:

david @ murale L'Entré de la grève 24 mars 2016

David Widgington stands in front of the « Entrée de la grève » mural he created during his artivist in residence at l’Auberge de la grève in Rivière Trois-Pistoles, Québec. March 2016.

The Auberge de la grève is a collective living and learning space with 10-12 permanent residents. It is a space for popular education to share knowledge to other engaged communities. It is a space to create links between activists from both rural and urban areas. It provides a space to unite social and environmental struggles. It is also a space to replenish energy and to explore individual and collective well-being in an alternative living setting that is inscribed within the region’s community life. And it is a space to explore activism, art and collectivity.

« Entrée de la grève » is a non-nostalgic activation of an archive that I argue will encourage the review past actions, the discussion of evolving issues and the advancement of arguments. The mural provides a reaggregational gathering space for activists to reinforce solidarity, to build collective confidence and, ultimately, to consider future oppositional performance  of resistance and dissent against injustices.

Ideally, the oppositional cultural heritage activated within the « Entrée de la grève » mural, will help link past struggles with current/upcoming battles against injustices of all kinds. As a result, activists will be able to better confront the abuses of neoliberal capitalism and resist its systematic oppression.

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Timelapse de la conception de la murale / Timelapse of the mural’s conception :



Timelapse de la mise en place de 150 affiches dans la murale / Timelapse of the wheatpasting of the mural’s 150 posters